Colonial and Postcolonial Literature is the leading critical overview of and historical introduction to colonial and postcolonial literary studies. Highly praised from the time of its first publication for its lucidity, breadth, and insight, the book has itself played a crucial part in founding and shaping this rapidly expanding field. The author, an internationally renowned p...(展开全部)

Colonial and Postcolonial Literature is the leading critical overview of and historical introduction to colonial and postcolonial literary studies. Highly praised from the time of its first publication for its lucidity, breadth, and insight, the book has itself played a crucial part in founding and shaping this rapidly expanding field. The author, an internationally renowned p...(展开全部)

Known in the West primarily through poorly subtitled films, Chinese martial arts fiction is one of the most iconic and yet the most understudied form of modern sinophone creativity. Current scholarship on the subject is characterized by three central assumptions that I will argue against in this book: first, that martial arts fiction is the representation of a bodily spectacle ...(展开全部)

Known in the West primarily through poorly subtitled films, Chinese martial arts fiction is one of the most iconic and yet the most understudied form of modern sinophone creativity. Current scholarship on the subject is characterized by three central assumptions that I will argue against in this book: first, that martial arts fiction is the representation of a bodily spectacle ...(展开全部)

In What Is a World? Pheng Cheah, a leading theorist of cosmopolitanism, offers the first critical consideration of world literature’s cosmopolitan vocation. Addressing the failure of recent theories of world literature to inquire about the meaning of world, Cheah articulates a normative theory of literature’s world-making power by creatively synthesizing four philosophical acc...(展开全部)

In What Is a World? Pheng Cheah, a leading theorist of cosmopolitanism, offers the first critical consideration of world literature’s cosmopolitan vocation. Addressing the failure of recent theories of world literature to inquire about the meaning of world, Cheah articulates a normative theory of literature’s world-making power by creatively synthesizing four philosophical acc...(展开全部)

This book, the first of its kind in English, examines the reinvention of loyalism in colonial Taiwan through the lens of literature. It analyzes the ways in which writers from colonial Taiwan—including Qiu Fengjia, Lian Heng, Wu Zhuoliu, and others—creatively and selectively employed loyalist ideals to cope with Japanese colonialism and its many institutional changes. In the pr...(展开全部)

作者簡介 阮斐娜（Faye Yuan Kleeman） 美國加州大學柏克萊校區東亞研究所博士，現任美國科羅拉多大學亞洲語言與文明學系副教授。研究領域專長：日本近現代文學中的女性作家、日本殖民地文學與文化。 譯者簡介 吳佩珍 東吳大學日本語文學系畢業，日本筑波大學地域研究科碩士，芝加哥大學東亞語言文化系碩士，日本筑波大學文藝言語研究科博士。現任國立政治大學台文所助理教授。研究專長為日本文學、日本近代文學、明治大正期女性文學。

“Roll over Derrida: Literature and Revolution is back in print. Nothing in the postmodern canon comes close to the intellectual grandeur of Trotsky’s vision of art and literature in an age of revolution, or his extraordinary meditations on the popular ownership of culture.”—Mike Davis “Re-reading Trotsky on literature 40 years later is a delight.”—Tariq Ali Leon Trotsky p...(展开全部)